![]() I’ll share my impressions, and explain how it can help field recordists master their tracks. I’ve been using the Duet 2 for about a month now. I decided to take the plunge and upgrade my gear. It was introduced in 2007, and updated in May of 2011 with new software and hardware. I had heard about the Apogee Duet years ago. It worked well enough for years, but I longed for something modern that would complement the field recording craft more closely. When mastering field recordings I use a basic Pro Tools set up. Sound quality is essential, of course, but so are other traits required for capturing sound as we record clips beyond the studio: mobility, durability, and reliability. ![]() Recordists often have to assemble tools meant for other disciplines. The craft of field recording is a narrow one. Sound designers and Foley artists are a closer match, but they record sound effects indoors instead of in the wilderness we explore. ![]() We don’t quite fit with theatre mixers, or sound recordists on set.
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